The top floors have fake graffiti prints and some foliage decorations, always graffiti. Below the second resort, in the center of the forehead, is a shield with the Ridolfi of Piazza (in blue, at the top of six golden hills and the crossing red band, all accompanied by the crown Gold given by two palm leaves of the same, the latter concession of the king of Naples Giacomo di Borbone to Ambassador Lorenzo Ridolfi in 1415), according to Ginori Lisci perhaps coming from another property of the family and transferred here at the time of ‘Buying the house.

After passing the long turned round (where there is a further tombstone with inscription referenced to Cosimo Ridolfi and dated 1819), a series of environments and spaces documenting the subsequent interventions to the structure and from which several staircases (certainly nineteenth century ) For access to the upper floors. Among these are the courtyard with an octagonal semipilast and other stone architectural elements (here is a lintel surmounted by a marble bust), and the small garden with two flower beds and a palm tree from Which is visible on the back of the building.

Concerning the conservative history of the factory, Mazzino Fossi (Limburger-Fossi) points to the restoration of the gutter in 1901 and that of the façade in 1904, a period which presumably involves the work of graffiti remodeling and the integration of the land previously reported. The palace appears in the list drawn up in 1901 by the General Directorate of Antiquities and Fine Arts, as a monumental building to be considered a national artistic heritage.